On this Website, please contact us at +49 (0)30 235 908 500. If, at any time, you have specific questions or concerns about the accessibility of any particular webpage The range of assistive technology is wide and varied. To make the Website as accessible as possible some issues can be encountered by different assistive technology as Please be aware that our efforts to maintain accessibility and usability are ongoing. The Web Content Accessibility Guidelines (WCAG), which also bring the Website into conformance with the Americans UsableNet Inc, a leading web accessibility consultant to help test, remediate and maintain our Website in-line with To accomplish this, Titelmedia has engaged To persons with disabilities including users of screen reader technology. Of its Website, Titelmedia strives to ensure that its Website services and content are accessible Titelmedia (Highsnobiety), is committed to facilitating and improving the accessibility and usability Ludacris, “Act a Fool” (2003) Cars: 1991 Acura NSX, 1993 Toyota Supra MkIV, 1994 Mazda RX-7, 1997 Lamborghini Diablo VT Roadster, 1999 Nissan Skyline GT-R R34, 2000 Honda S2000, 2001 Mitsubishi Eclipse Spyder 3G, 2002 Dodge Ram, 2002 Mitsubishi Lancer Evolution VII, 2003 Hummer H2 “#1 Stunna” typifies the approach with affordable options like the Dodge Viper, Ford Excursion, and the Chrysler PT Cruiser. Although the label was known for its exotic imports - the Ferraris, Lamborghinis, and Rolls-Royces - the crew were also conscious of the need for a broad appeal, including entry-level wheels and mass market vehicles that spoke to a more relatable lifestyle in their music videos. During the late ’90s and early ’00s, few could match the fleet of whips Cash Money had at its disposal. One of rap’s most prolific millionaires, Birdman aka “Baby” set the standard for ballin’ - which, of course, includes luxury cars.
“N**** can’t out-stunt me when it come to these fuckin’ cars,” announces Birdman in the intro to Big Tymers’ “#1 Stunna.” And he isn’t wrong. If you drive a vintage Chevy Impala, you’re likely tied to the West Coast low-rider scene, while if you’ve customized a 1990 Lincoln Town Car with “swangas,” you’re definitely from Houston. More than just a prop, cars communicate knowledge, wealth, geography, and heritage, and they do so nowhere more forcefully than in hip-hop. Cars have proven to be a big part of that expression, serving as a visual cue to flex luxurious lifestyles, pointing to niche cultures that build up around automobiles, or simply as a way of indulging a passion for vintage vehicles. Not only do they offer an imaginative representation of the meaning lurking behind a song, they also give artists the opportunity to express themselves in an entirely new medium (supported by a crew of directors, stage hands, gaffers, and on-screen talent who bring the vision to life). Since the explosive arrival of MTV in 1981, music videos have played a central role in defining countless musical careers.
Experience this story and others in the new issue of Highsnobiety Magazine, available from retailers around the world and our online store.
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